So my big news is that Brainstruments, my book project, is mentioned in the current issue of UK Wired (Smart List 2012 on the cover). I can’t tell you how chuffed I am about this. As design and tech geek I have read Wired for years so I’m delighted to actually appear in it. If I had to pick one publication to cover the project, this would be it. A fabulous way to start 2012. A big thanks to David, Tom and UK Wired team.

The piece is in the UK print and iPad edition (Smart List 2012 on the cover) but you can see the piece online here www.wired.co.uk/magazine/archive/2012/02/play/musical-talent

The piece doesn’t mention the main point I’m making in the book, which is that a musical instrument is a mental model.   A summary paper of my thinking and research can be downloaded here.

 

Yesterday I announced the release of a summary research paper of my forthcoming book ‘Brainstruments’ and a new dedicated website. If you have been following my Harmonica Thinking Blog you will know that I have been working on the book for the last two years or so and the research paper is the culmination of my research so far. I’m both excited and terrified to be releasing this work, much more so than with my albums.

You can find the site at www.brainstruments.com and download the paper there. There’s also a Facebook page.

So what’s it about? My central proposal is that the musical instrument a musician plays is not the physical instrument, but instead a mental model. I have termed these mental models ‘Brainstruments’. I have sought to validate this idea by interviewing some of the world’s leading jazz, blues and classical musicians and also neuroscientists. To date I have interviewed over 4o amazing artists, many of whom are my heroes, including Charlie Hunter, Joe Lovano, Chris Potter, Brian Blade, Martin Taylor, Claire Martin and Randy Brecker.

Producing this paper has been an extremely useful process for me. Although very time consuming, it has helped clarify and refine my initial thinking in response to some amazing, unanticipated outcomes from the research interviews. It’s also provided a fantastic mechanism to receive feedback from some eminent neuroscientists from places like UCL and Harvard. I remain amazed that what began as a simple question about harmonica players has grown into these theories.

I hope you find the project interesting and thought provoking whether you are a musician or music fan. I believe the ideas will enable professional and amateur musicians to improve their playing standard and to enhance the way music is taught by educators. The book will follow in 2012.

Please spread the word to your friends and colleagues who might find ‘Brainstruments’ interesting.

Lee

www.brainstruments.com

At Voxygen we have been working with Skype over the last two and half years on several strategic and marketing projects. I have recently wrote on the Voxygen blog about one of these which includes the use of data visualisation. You can read the full post here.

The need to understand and make data useful is nothing new and turning numbers into a visualisation has been around for a very long time. The challenge here was to help improve the sales process of Skype’s business product ‘Skype Connect’. Our solution was to develop an online tool that would enable a sales person to quickly produce an indicative savings quote before having to analyse lots of detailed information.

I wanted to use data visualisation not only to improve understanding of the data, but also to help reinforce Skype’s brand through the way the information was presented. Working with designer Paul Butt at Section Design we developed 8 data visualisations that worked both digitally and in print. Voxygen then coded them so they animate real time onscreen and can be outputted to PDF. Here’s some of the early concepts for one of the visualisations and you can see more on the Voxygen blog.

It’s worth making a small reference to the bigger picture. The nature of data is changing. The volume, complexity, types, access to and crucially who is generating it, are all changing.  This will continue to increase as the ‘internet of things‘ gathers momentum and smart connected objects become common place. For example, networked healthcare devices that monitor, manage and advise patients or ‘the well’ of their realtime and forecasted health on a genetically individual level. Designing useful and interesting ways to present and utilise data is becoming more important given the opportunities and benefits that can lay buried in the numbers. ‘Designing Understanding’ will play a key role in extracting these, evidenced by the growing field of infographics and data visualisation.

One of the ironies of having access to so much music online is that it’s hard to find really good quality offerings. There’s a point where too much choice becomes a problem. I think music suffers from this more than most mediums that have been digitised. Today people download more music than they can listen to.

The core problem of course is that amazing music, music that moves you, blows you away is rare. However, finding it amongst the torrent of middle of the road, even competent offerings seems harder than ever. Well I find it hard. So it’s been a long time since I came across something that really blew me away.

Black Dub

This morning I discovered a band that made me feel something. I watched the clip below and went “DAMN!”. Then I watched it again and again. If you like your music rooted in soul and blues, expressing original compositions and brought to live by gifted musicians seek out Black Dub. It’s a super group that actually works. Featuring Daniel Lanois, Trixie Whitley, Brain Blade and Daryl Johnson these people feel music deeply. Just wonderful. This particular combination of ‘in the pocket’ groove, space, texture and incredible vocals is, to me at least, very very elusive.

I was already familiar with all these players. I have even interviewed Brain Blade earlier this year in Paris for a book I’m writing and I was privileged to have  Trixie Whitley’s dad Chris (sadly no longer with us) as a guest on my last album.  Somehow I was not aware of their Black Dub project. How did I find out about this group? A personal tip off in an email. And what could be better, they are playing at the Jazz Cafe, London tonight.

On Thursday night the Easyjet flight I was taking from London Stansted to Edinburgh was delayed by three hours. Like all the passengers affected, I was severely cheesed off. My emotions turned to anger though not because of the delay itself, but because of Easyjet’s handling of the delay.  This is not going to be a rant though. Flight delays affect all airlines and the internet groans under the weight of blog posts by angry customers.

Instead, I want to share how Easyjet demonstrated that they are a brand that genuinely doesn’t care about its customers.  And for such an iconic brand I think that’s a shame. A no frill’s value proposition doesn’t have to, indeed shouldn’t, descend to genuinely not caring.

A super tough arena

Let’s start by acknowledging that running a successful airline is super, super tough. Not only is it a highly evolved, competitive low margin business, fraught with operational challenges, it’s an offering where safety is crucial and failure could cost lives. The commercial evidence speaks for itself. The history of airlines is littered with failed companies from national to local carriers. Simply put, it’s a cut-throat and complex arena. With this in mind, most people’s tolerance for things occasionally not running smoothly would extend to planes being late. Not crashing mind, but occasionally late. Obviously too many crashes and it’s not a viable business offering. It’s not as though a government would sanction and tax a product that has a high chance of killing you. Putting smoking to one side, let’s push on and agree that running an airline is hard.

Not caring  as part of your brand

Any brand expert will tell you the importance of being ‘authentic’. What authenticity means to a brand depends in part on its value proposition. We all know that a low cost airline is not a luxury proposition. It’s about compromise to achieve the best price. There’s not much leg room, you pay for everything, the distance from your desired destination implied by the name of the airport you are flying to may be very different in reality and so on. Easjet is a no frills, low cost value proposition. Its brand is highly recognised and its proposition clear. It’s a fool who expects ‘luxury’ from Easyjet, it’s not what they do.

Here’s the problem. Yes, Easyjet is low frills, but their ethos extends beyond believing paying less is a mandate for providing a ‘best efforts’ service. It’s much deeper than that. They actually don’t care when things go wrong. Something very different. On Thursday night Easyjet demonstrated vividly to me that their intentions, thinking, processes, behaviors and therefore their brand is one that does not care about their customers. Not one person but every person, process and experience I encountered created this brand reality. This is what I mean by ‘authentically’ not caring. It’s their brand. So what did they do to demonstrate this so clearly?

1) My flight was at 20.50, by 19.00 I was through security and in the duty free area. The only information on about the 3 hour delay was shown “23.45 estimated” time on the departure screens. I heard no announcements from Easyjet. Hey, the delay may not have even been your fault. I don’t know, tell me something at least.

2) Easyjet had no people presence in the post security part of the terminal to liaise with customers directly. As if nothing says ‘we care’ more than not showing up. Let’s be honest, no one wants to face the music in that situation. People would be angry, but if you are seen to be genuinely trying then in my experience most people, not all, are reasonable. It’s when a company doesn’t care that people get really upset and a brand promise rots.

3) The only option was to speak to someone via a specially provided phone for these events at the information desk. The Easyjet agent may as well have been a robot. Just preset responses. I feel for these agents who aren’t empowered. It’s a tough wicket trying to handle a barrage of severely delayed customers. Especially if your superiors have designed the organisation so that’s all you do, all day. The human result obviously being you become desensitised after a while. Either that or the person I spoke to was hired for their specific ability to sound ‘not bothered’.

4) On Twitter I was flabbergasted to see that the compensation being offered to customers for a three hour delay was £3! Now I ask you what message does a £3 compensation offer convey? I imagine most people would agree it is insulting and is in fact worse than offering nothing at all. It’s a figure that only amplifies the message of how little you care about the impact of the delay to your passengers. I’d go further, it’s an amount derived from a formula precisely designed to underscore the message we do not care, as no one is stupid enough to actually think offering such a compensation would elicit anything other than negativity. I.e. it must be intentional. No one is that stupid.

5) Once boarding commenced through to the landing all references and apologies to the three hour delay were ‘procedural’ and felt insincere.  The whole thing had an air of ‘this is normal’ about it, I don’t even recall the pilot making reference to it. Again, the reality is the crew were probably as pissed off as the passengers. On a human level anyone can empathise that this was not a good day at work. Nevertheless, there’s a duty of care here and a responsibility to continue to positively define what a brand means in the bad times. Easyjet does not extend its thinking that far. It’s not interested.

So you combine the lack of information, the lack of updates, the absence of any actual Easyjet people presence on the ground, the lock and load scripted agent, the compensation offer, the ‘nomalised’ attitude and you can only reach one conclusion. Easyjet, you don’t care. You are running a successful airline. You are smart but you don’t care about people.

Not taking out Customer Experience Insurance

It’s an old customer service cliché but so true, it’s how you deal with negative situations like a three hour delay that helps defines a brand. Another cliché, complaints as opportunities, is also true here. Easyjet could have done a number of things to turn things around. If they truly cared they would have thinking that meant they had some sort of measures which delivered what I would call ‘customer experience insurance’. Things like,

  • Get some people out there to apologise face to face.
  • Offer free WiFi. Everything costs at airports. It’s not going to cost you much to do a deal with someone like BT Open zone so you can provide free vouchers to use in a bad customer experience situation.
  • Offer me a meal voucher. I’m stuck in Stansted for 3 hours now, what am I going to do? You could help mitigate the effects of the generic, sanitized shopping mall time continuum I find myself in, by at least buying me a drink and a sandwich.
  • Ensure I have somewhere I can charge my phone and laptop. Don’t you think I might burn through the batteries on my devices over the next three hours?
  • Offer me a free drink and snack on the flight.
  • Proactively pick up the phone and call me the next day to apologise and see how I am.

If you wanted to go further,

  • Discount my fare properly. Don’t insult passengers with a figure that is the financial equivalent of flipping someone the bird.
  • Perhaps offer me a free flight on my next trip. I suspect most people don’t travel alone, so I might end up taking a trip with my girlfriend that I might of otherwise not taken and you’ve actually turned this into an extra sale.
  • If you want to get into some cursory detail you could pay for my taxi at the other end if public transport had finished. Seeing as we arrived into Edinburgh at gone 1 am, it had. This might be especially important for female passengers.

Planning not to care

Any number or all of these things would have made a difference and showed that you care. They wouldn’t have made everything perfect but it would have demonstrated in actions that you care. None of these things are rocket science and if Easyjet is reliable then the frequency of these situations or mistakes would mean the funding impact on your turnover would be minimal. If anything ‘investing’ in these situations would be good for business in terms of brand goodwill.  If Easyjet cared they would think about and properly fund customer experience design for ‘shit happens’ scenarios, where, even if you cannot delight and surprise customers, you can at least show you give a damn about them when things go wrong. If Easyjet cared, note ‘cared’ as they are definitely smart, it would take these kinds of steps. However, their only interest is monetisation and margin. I’m saying that not caring to the extent you do is actually bad business. Bad for your brand, especially in terms of longevity and entering other markets.

It’s easy to say you care when things are running smoothly. Like all relationships it’s in the bad times that true colours are shown. In this case the core of a brand. These are moments when a brand that cares will at least try to turn things around. I accept that you won’t appease everyone, some customers can be irrational. But I’m not one of those. If you had cared I would not be angry. Upset yes but not genuinely angry.

Easyjet – being authentic to not caring

Running an airline is hard. But Easyjet, your thinking and actions ensure your brand reality says “we don’t care about our passengers”.  You could afford to proactively to take steps during and after the event. You could afford to proactively offer some comfort factors at the time. You could proactively surprise me in any number of ways. You could simply call me to say sorry. You could with imagination and will, take it to the level where people would be booking your flights on the off chance of a delay. You will do none of these things not because you are not smart, but because somewhere deep inside you don’t care.

The perception of a company’s brand is created in the minds of its customers. Everyone I have spoken to about this had the same reaction. “Yes it’s a shame but they don’t care”. Easyjet is an ‘authentic’ non caring brand shaped by reality. To the bottom-line, will I fly Easyjet again? Regrettably probably. I will always seek alternatives but reality means someday soon they will be the best commercial option. However, they are a brand that doesn’t care and today they can get away with that. That’s a shame because it doesn’t have to be that way.  They could be no frills and care at the same time in way that’s actually good for business and their brand.

 

 

A quick announcement. I’m delighted to be presenting a workshop this Saturday (May 7th) at the National Harmonica League’s Spring Festival 2011. The festival takes place at The Stables, Milton Keynes, England. There’s events running from the morning through to a concert and jam session in the evening. If you are a UK based harmonica player hope to see you there!

You can book tickets online now and read more about the workshop on my Harmonica Blog.

I receive some excellent questions about playing the harmonica from people via Facebook,YouTube and directly by email.  Trying to answer them, where I can, is both enjoyable and often cause for internal examination – yes how do I do that?

There are two standout themes in these interactions which I find interesting, at times amusing and at others perplexing.  I don’t mean what people are asking, rather, what lies behind their questions. These are:

a) An appreciation of just how long it takes to master something and…

b) that some things do not have a ‘magic bullet’.

The ‘App’ Mindset

It seems to me that these ‘mentalities’ both stem from unrealistic expectations which apply to both questions of technique (the mechanics of playing an instrument) and musicality (what you do with your technique). It’s obvious that people’s motivation for asking questions about anything that they themselves are trying to do is to accelerate the learning process: why spend ten years replaying a lick backwards and forwards trying to replicate every nuance if someone has already done that.  I’m surprised though by the extent to which people believe learning can be accelerated or that there is an ‘oh just do this’ answer to questions such as ‘how do I sound interesting’. Yes someone actually asked me that last week.

Unfortunately, some things have no back door short cuts, be it related to technique and especially musicality.  There just isn’t an app for that. Many aspects of playing any musical instrument can take years and years to master. For instance tone, or on the harmonica specifically – vibrato, tongue switching or overblows. Some things you may never conquer no matter how much you try.

Mastery iteslf is about more than knowledge. If you gave someone who has never played the harmonica all the knowledge in a book they needed to play ‘Juke’ by Little Walter, would they be able to straightaway? Clearly not! The knowledge has to be embedded into the brain through practise so the person can execute the thousands of complex actions.  Alvaro Pascual Leone at Harvard Medical School states this concept brilliantly:

” Playing a musical instrument requires more than factual knowledge about the musical instrument and the mechanics of how it is played. For example given complete information about hand position, finger motions and the sequence of keys to push for how long and with what force, I would still be unable to play even the simplest piano sonata”

The book I am currently writing is very much about this idea. The process of skill acquisition takes time even if you have the information. Today information can’t just be downloaded to the mind like in the Sci-Fi classic “The Matrix”.

The Value of the Learning Journey

All of this begs the question, if you could learn something instantly would you? Acquiring some kinds of knowlegde is a bit like saving for something. There’s huge satisfaction to be found in the learning journey itself, gradually seeing your mental and physical ‘handle’ on something becoming clearer, stronger and more controlable day by day. This is in a way like mental ‘ownership’ or ‘acquiring’ something.  It’s a real buzz.

It’s understandble that we crave simple solutions but at the same time in trying to master an instrument like the harmonica, which looks deceptively easy, being prepared to battle and persevre is both essential but also a source of tremendous reward.

 

© 2012 Lee Sankey Suffusion theme by Sayontan Sinha